Skip to main content

Cyberpunk: Edgerunners review: Candy-coated chrome carnage

Animated adaptations of video games are in a surprisingly good place right now — particularly on Netflix, where shows like Arcane, Castlevania, and even Carmen Sandiego have delivered rewarding extensions of their respective franchises. That continues with Cyberpunk: Edgerunners, which serves up a wild anime adventure set in the world of 2020’s Cyberpunk 2077.

Directed by Hiroyuki Imaishi (Gurren Lagann)  and Hiromi Wakabayashi (Star Wars: Visions), Cyberpunk: Edgerunners follows a teenage boy pulled into a dark world of high-tech mercenaries known as “Edgerunners.” As he’s drawn ever deeper into the world of body modification and corporate espionage, David (voiced by Zach Aguilar in the English version of the series) soon finds himself struggling to figure out what’s truly important and where to draw the line when it comes to his cybernetic implants.

Lucy looks into the camera while David drives in a scene from Cyberpunk: Edgerunners.
Image used with permission by copyright holder

While much of the Edgerunners world is a shiny metropolis sitting among dark streets and dirty alleys, the series doesn’t shy away from covering all of it with a gory mess of blood and viscera. The ultraviolence in Edgerunners gets started early, but the series never devolves into a nonstop symphony of brutality. Between bouts of frantic action (and the occasional, explicit sex scene), Edgerunners also delivers a fair share of quiet, contemplative moments as David ponders the increasingly bleak turns his life takes.

Recommended Videos

The10 episodes of Edgerunners run anywhere from 20 to 30 minutes each, and the show does a nice job of fitting a satisfying amount of action, storytelling, and world-building into each chapter without feeling overstuffed. Cyberpunk anime often has a difficult time balancing those elements, with many series collapsing under convoluted, fictional networks of corporate and criminal drama. Fortunately, Edgerunners mostly avoids getting mired in the weeds of its own complicated lore by keeping the focus on its characters.

David's bloody back reveals his latest implant in a scene from Cyberpunk: Edgerunners.
Image used with permission by copyright holder

Anyone familiar with the cyberpunk worlds that fill William Gibson stories and the Shadowrun franchise will recognize the major players in Edgerunners, as they tend to fall into the usual archetypes of the genre. Hulking muscle-heads with exaggerated cybernetic musculature operate alongside shadowy hackers and unhinged, walking armories wielding comically large guns, taking on missions for sinister, suited executives angling for an advantage over their corporate competition. It’s a cadre of characters you know, but they’re still fun to watch as they bounce off each other in the grim environment they operate within.

Maybe most importantly (for the game studio that financed its production, at least) is that Edgerunners makes the dystopian world of Cyberpunk 2077 both accessible and appealing to those who haven’t played the game. Like fellow Netflix adaptation Arcane and the League of Legends game that inspired it, you don’t need to be familiar with Cyberpunk 2077 to enjoy Edgerunners, but the show is so intriguing you’ll probably want to give the game a look after the season ends.

The whole crew walks down the street in a scene from Cyberpunk: Edgerunners.
Image used with permission by copyright holder

That’s not the only quality Edgerunners shares with Arcane, either. The cyberpunk series also features a memorable opening theme — This Fffire by Franz Ferdinand — that manages to capture (or perhaps set) the tone of the series while also being amazingly earwormy in all the right ways.

Although it isn’t as philosophical or self-aware as more prominent cyberpunk anime (for example, Ghost in the Shell) or as beautifully polished as the aforementioned Arcane, Cyberpunk: Edgerunners still measures up well in the genre and as an extension of the game that inspired it. The series might not break any new ground, but that’s not the intent. What it does deliver is a satisfying standalone story that leaves you hopeful for future one-off tales set in its blood-drenched world of neon and chrome.

David and Lucy look at the Earth from the moon in a scene from Cyberpunk: Edgerunners.
Image used with permission by copyright holder

The entire season of Cyberpunk: Edgerunners is available on Netflix.

Cyberpunk: Edgerunners (2022)

Cyberpunk: Edgerunners
tv-14
1 Season
Genre
Animation, Action & Adventure, Sci-Fi & Fantasy
Stars
KENN, Aoi Yuki, Hiroki Tōchi
Created by
Rafał Jaki
Watch on Netflix
Movie images and data from:
Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
My Best Friend’s Exorcism review: Fighting mean girls (and meaner demons)
Elsie Fisher and Amiah Miller sit on a bed in a scene from My Best Friend's Exorcism.

The teenage years can be scary, even without the threat of demonic possession. Throw a sinister supernatural element into the mix, and the experience becomes, well ... only slightly more terrifying, actually.

That's one takeaway from director Damon Thomas' My Best Friend's Exorcism, which delivers a scary-fun paranormal thriller filtered through a coming-of-age drama about two teenage girls in the 1980s whose lifelong friendship is threatened when one of them becomes the unwilling host of an infernal entity. That this supernatural encounter occurs while the girls are navigating young adulthood turns the typical social hellscape of high school into something more sinister, and tests their friendship in unexpected and terrifying ways.

Read more
Entergalactic review: a simple but charming animated romance
Three dudes cheer on a rooftop in Entergalactic.

Entergalactic isn’t like most other animated movies that you’ll see this year — or any year, for that matter. The film, which was created by Scott Mescudi a.k.a. Kid Cudi and executive producer Kenya Barris, was originally intended to be a TV series. Now, it’s set to serve as a 92-minute companion to Cudi’s new album of the same name. That means Entergalactic not only attempts to tell its own story, one that could have easily passed as the plot of a Netflix original rom-com, but it does so while also featuring several sequences that are set to specific Cudi tracks.

Beyond the film’s musical elements, Entergalactic is also far more adult than viewers might expect it to be. The film features several explicit sex scenes and is as preoccupied with the sexual politics of modern-day relationships as it is in, say, street art or hip-hop. While Entergalactic doesn’t totally succeed in blending all of its disparate elements together, the film’s vibrantly colorful aesthetic and infectiously romantic mood make it a surprisingly sweet, imaginative tour through a fairytale version of New York City.

Read more
Glass Onion review: a deviously intricate Knives Out sequel
Daniel Craig looks in the camera in Knives Out 2.

Like the drawling Southern detective he has now placed at the center of two fabulously entertaining clockwork whodunits, Rian Johnson should not be underestimated. The writer, director, and blockbuster puzzle enthusiast has a gift for luring his audience onto ornately patterned rugs, then giving their edges a powerful yank. Glass Onion at first seems like a more straightforward, less elegant act of Agatha Christie homage than its predecessor, the murder-mystery sleeper Knives Out. But to assume you’ve gotten ahead of it, or seen every nature of trick Johnson has concealed under his sleeve, is to fall into the same trap as the potential culprits who dare trifle with the great Benoit Blanc (a joyfully re-invested Daniel Craig).

Anyone annoyed by the topical culture-war trappings of Knives Out (all that background MAGA chatter and drawing-room conversation on immigration policy) may be irked anew by how Glass Onion situates itself rather explicitly at the onset of COVID, with an opening series of introductions heavy on face wear and video chats. Even Johnson, first-rate showman that he is, can’t make these reminders of the recent, dismal past very funny.

Read more