The best movies on Hulu right now (November 2024)

The Planet of the Apes films have been around since 1968, but there’s still a lot of life left in the franchise in Kingdom of the Planet of the Apes. This story takes place 300 years after the life of Caesar, as one tribe of apes has taken to raising eagles as companions. Noa (Owen Teague) is the heir to Eagle Clan, until his people are brutally kidnapped and enslaved by the forces of Proximus Caesar (Kevin Durand).

Proximus has perverted the teachings of Caesar and installed himself as a tyrant. He’s also after Mae (Freya Allan), a young human girl who may be able to lead him to hidden tech and weapons. Both Noa and Mae have reasons to oppose Proximus, but can they bring themselves to trust each other enough to bring him down?

Only the most enthusiastic race fans knew much about the fabled rivalry between Henry Ford II (Tracy Letts) and Ferrari founder Enzo Ferrari (Remo Girone) before director James Mangold’s Ford v Ferrari. But the film explains why Ford held such a grudge against Ferrari before turning the story over to Carroll Shelby (Matt Damon) and a volatile race car driver named Ken Miles (Christian Bale).

Shelby and Miles are a pair of mavericks who have been tasked with building and designing a car that can match Ferrari’s top models in competitive racing. However, Miles is, to put it mildly, very abrasive, even with his friends. His attitude also earns the duo some powerful enemies within Ford itself who would love to sabotage their efforts. It’s going to take a battle of wills for Miles and Shelby to bring their dream car to fruition and ride it to glory.

Brad Pitt was 58 years old when Bullet Train hit theaters in 2022, and yet you can’t tell his age by looking at him. As Pitt has grown older, he’s also gotten a lot funnier, and this movie makes his character, Ladybug, the butt of a lot of the jokes in the film. Ladybug is an assassin who is very unlucky, to the point where he wants to leave the life of a killer behind him. But he’s roped into filling in for an operative on a Japanese bullet train for a supposedly easy job.

All Ladybug has to do is retrieve a briefcase full of stolen money and slip out of the train before anyone realizes it’s missing. It’s easy to say, and almost impossible to do when multiple assassins get on the train, each with their own agendas. Ladybug may not have been looking for trouble, but it’s found him. And there’s an even more dangerous threat awaiting everyone at the end of the line.

Emma Stone won her second Oscar for Best Actress for her performance as Bella Baxter in Poor Things. Max McCandles (Ramy Youssef) falls for Bella before he learns that a mad scientist, Dr. Godwin Baxter (Willem Dafoe), brought her back to life with a newborn’s brain. That doesn’t dissuade Max from wanting to marry Bella, but she has other ideas.

Bella runs away with a lawyer, Duncan Wedderburn (Mark Ruffalo), so she can experience everything that the world has to offer her. Much like Max, Duncan’s influence over Bella only goes so far before she starts setting the agenda for herself, and no one is prepared to accept that.

Laura Chinn’s Suncoast is largely based on true events that happened to her and her family, but the movie does take some dramatic license with the story. Nico Parker stars as Doris, a teenager who is overwhelmed by the brain cancer afflicting her brother, Max (Cree Kawa), and from her attempts to deal with their mother, Kristine (Laura Linney).

When Max enters hospice care, Doris befriends Paul (Woody Harrelson), an activist who is fighting to keep a woman named Terri Schiavo hooked up to life support despite her persistent vegetative state and the wishes of her husband. As for Doris, she has to face the very real possibility that her brother will never come home from hospice.

An exciting example of the kind of narrative ingenuity that only a worldwide pandemic can foster, Something in the Dirt is the latest film from writer-director duo Justin Benson and Aaron Moorhead (The Endless, Synchronic), and is arguably the most primitively fascinating work of these two collaborators. Shot over the course of a year with a crew of just 12, our story follows Levi and John, apartment-dwelling neighbors who decide to make a documentary about a range of supernatural events occurring in their Los Angeles residence. But as the two men discover that these kinds of extraordinary happenings are taking place all over L.A., their findings lead them to a combative exchange of theories and calculations.