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CBS is creating a new Star Trek TV series, but there’s a serious catch

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Trekkies, the next frontier is in the streams.

CBS has announced an all new Star Trek TV series, which “will introduce new characters seeking imaginative new worlds and new civilizations.” It’s not known just how this series will exist alongside the new era of Star Trek from producer/director JJ Abrams, but what is clear is that CBS is banking on the franchise’s pull to help its fledgling streaming service along.

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This won’t be just any TV series. CBS will debut the inaugural episode of the untitled new series in January 2017 on its regular network stations, but that’s where the fun will end for regular viewers — the rest of the season will only be available via the company’s streaming service, CBS All Access.

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The new series appears to be as much about capitalizing on the recent resurgence of one of the most storied sci-fi franchises of all time as it is about giving CBS a viable competitor to streaming services like Netflix. CBS’ press release for the announcement describes the new Star Trek series as “the first original series developed specifically for U.S. audiences for CBS All Access.” And a series with such mammoth name recognition and a built-in fan base appears to be a fantastic way to bring in new viewers.

There’s no word on any plot details or casting for the new series as of yet, but the press release did specify the new series will be “exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966.” The last two Star Trek films could give a better idea of what the CBS series will be as Alex Kurtzman will serve as executive producer of the show. Kurtzman co-wrote and co-produced Abrams’ Star Trek (2009) and Star Trek Into Darkness (2013)

The new series will debut in January 2017, just four months after the original series’ 50th anniversary on September 2016. CBS owns the rights to the old TV show, and claims people across the world have never stopped discovering it. “Every day, an episode of the ‘Star Trek’ franchise is seen in almost every country in the world,” said Armando Nuñez, President and CEO of CBS Global Distribution Group in the press release.

The original television series was promoted as “the first adult space adventure” and landed in homes on September 15 1966 on NBC. The series was cancelled after three struggling seasons and the rights to Star Trek were shuffled around, before finally landing at CBS. So far, it appears this dispute over property rights will keep the new series from connecting with Paramount’s own revival of the series in movie form, on which Abrams and Kurtzman collaborated.

Either way, CBS is putting a lot of chips into the future of streaming and has yet to reveal current subscriber numbers for CBS All Access, per usual practice among streaming services. However, five months after CBS’ All Access’ October 2014 debut, CBS CEO Leslie Moonves announced the streaming service had attracted over 100,000 subscribers. Will Trekkies be intrigued enough by the new series to follow it all the way to CBS’ streamer? We’ll have to wait and find out.

For now, here’s the first ever television promo for the original Star Trek series:

Keith Nelson Jr.
Former Digital Trends Contributor
Keith Nelson Jr is a music/tech journalist making big pictures by connecting dots. Born and raised in Brooklyn, NY he…
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Every Star Trek series is someone’s favorite (Star Trek: The Animated Series stans, we see you), but when it comes to the 18-year Golden Age of Trek between 1987 and 2005, the prequel series Enterprise is easily the least beloved. Airing on UPN for an abbreviated four-season run, Enterprise was meant to shake things up after three consecutive series set in the late 24th century.
Imagined as a sort of origin story for Star Trek in the style of The Right Stuff, creators Rick Berman and Brannon Braga wanted to capture the danger and excitement of United Earth’s early interstellar space program, even planning to spend the entire first season on Earth preparing for the launch of Starfleet’s very first Starship Enterprise. The network, however, had other ideas, insisting that Berman and Braga not meddle with the consistently successful Star Trek formula. Thus, despite taking place two centuries earlier, Enterprise became, essentially, “more Voyager,” which in turn had been “more Next Generation,” a once-great sci-fi procedural that was nearly a decade past its peak.
That’s not to say that the series didn’t improve throughout its four-season run. After two years of struggling to justify the show’s very existence, Berman and Braga swung for the fences with a radically different third season that reinvented Enterprise (now renamed Star Trek: Enterprise) as a grim and gritty serialized drama unpacking the aftermath of a 9/11-scale attack on Earth. While immediately more compelling, the revamp failed to boost the show’s sagging ratings, and it was reworked yet again the following year, and leaned further into the “prequel to Star Trek” angle under new showrunner Manny Coto. This, many fans will argue, is where Enterprise finally found its legs, but it was too little and too late to prevent its cancellation. Still, each iteration of the troubled spinoff had its highlights and our list of the 10 strongest Enterprise episodes is spread fairly evenly throughout the run of the show.
Warning: This article contains spoilers for each listed episode.

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Counterpoint drops the audience into the middle of an ongoing story,in which Voyager is boarded and inspected by agents of a fascist government, the Devore. The Devore treat all travelers through their space with suspicion, but are particularly concerned with capturing and detaining all telepaths, who they view as dangerous. Despite the risks, Captain Janeway is attempting to smuggle a group of telepathic refugees to safety, all while putting on a show of cooperation for smiling Devore Inspector Kashyk (Mark Harelik). Much of the plot takes place in the background, obscured from the audience in order to build suspense. The real focus is on the evolving dynamic between Janeway and Kashyk, a rivalry that simmers into one of the Voyager captain’s rare romances. Kashyk works in the service of what are, transparently, space Nazis, but when he offers to defect to Voyager, can his intentions be trusted?
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