Skip to main content

This 2004 sci-fi thriller has been largely forgotten. Is it still worth remembering in 2024?

A woman sits in a park in The Forgotten.
Sony Pictures

There’s something deeply ironic about a movie called The Forgotten being forgotten two decades after its release. But that’s what happens when a movie isn’t available on any of the major streaming services like Netflix and physical media is barely hanging on. The only place you can currently stream The Forgotten is Hoopla, and you’ll need your library membership to be up to date to watch it there.

The Forgotten was actually a minor hit when it was released in September 2004, earning $117.6 million worldwide against a $42 million budget. In the early 2000s, films like The Forgotten could live on through basic cable showings. Without those constant screenings to remind them about the film, fans aren’t that dissimilar from Julianne Moore’s character in the movie and were forced to rely on the memories of seeing The Forgotten when it was first released. That was surely not the intention of director Joseph Ruben and screenwriter Gerald Di Pego. But filmmakers don’t get to choose which of their movies will be remembered.

Recommended Videos

Contemporary critics were not very fond of The Forgotten, and that may have also contributed to its trip down the memory hole. However, since this week marks the 20th anniversary of The Forgotten, we’re taking a look back at the film to determine if it still holds up.

Julianne Moore gives a passionate performance

Julianne Moore in The Forgotten.
Sony Pictures

The only thing that critics seemed to agree about is that Julianne Moore is terrific in the leading role as Telly Paretta, a mother who can’t let go of her grief for her late son, Sam. Moore wears Telly’s sorrow on her face, in her body language, and in every aspect of her performance. Moving on just isn’t an option for her, which is why she is caught so off guard when everyone else in her life forgets that she ever had a child.

There is some manic energy in Moore’s persona as Telly frantically tries to prove to herself and the world that Sam was real. It’s an uphill battle that only gets stranger. But Moore keeps the emotional weight of the film in a down-to-earth place. She carries the entire movie on her shoulders, and that deserves praise.

The movie takes a hard turn into sci-fi territory

Linus Roache is so friendly in The Forgotten.
Sony Pictures

This film doesn’t work as well if you know all of the twists and turns going in. So we aren’t going to spoil them here. What we can tell you is that Telly’s search for answers leads to some bizarre situations and otherworldly moments that break down her personal reality.

It’s hard for Telly to remain sane when insane things are happening all around her with little or no explanation. All Telly knows for sure is that she had a son and someone has gone to extreme lengths to make it seem like he never existed. Sometimes, that’s all she can hold on to.

The supporting cast adds depth to the story

Alfre Woodard in The Forgotten.
Sony Pictures

ER‘s Anthony Edwards has an underrated turn as Telly’s husband, Jim Paretta. And because Jim is largely kept outside of the story’s fantastical turns, Edwards gives a very realistic performance as a father who just wants to move on from his loss. He’s in pain, too, but neither Jim nor Telly are able to bridge the emotional gulf between them. That may be why Jim was vulnerable to forgetting their son, but Telly was not.

Alfre Woodard has a small, but very memorable role as Detective Anne Pope, a woman who is initially very skeptical about Telly’s claims. Yet after witnessing something unexplainable, Anne comes around to Telly’s point of view. And that leads to one of the film’s biggest jump scares, which again, we’re not going to spoil for you. It was truly shocking, though.

Finally, Dominic West’s Ash gives Telly the one person who can fully appreciate what she’s going through because his daughter, Lauren, was also erased from his memory. Ash doesn’t initially remember Lauren until Telly makes him confront the lie that his life has become. Once that happens, Ash is the only ally that she can really count on until the end. West is very good in the part, even though he’s still only a secondary character behind Telly.

The final twist is divisive

Julianne Moore in The Forgotten.
Sony Pictures

Once the movie got around to explaining what’s going on, not everyone in the audience was willing to accept the answers that were given. There is an agenda behind what happened to Telly, Ash, and the other victims whose children were taken. But it is admittedly an out of this world twist that leaves reality far behind. Yet considering some of the other things that happened in the movie, the story was clearly setting the stage for something more than just an ordinary conspiracy.

Your take may differ if you’ve made it all the way through The Forgotten. The final resolution may not be what you were expecting to find, but The Forgotten does end on its own terms. It’s certainly not the greatest movie that came out in 2004, but it deserves to be remembered for the things it did well.

Rent or buy The Forgotten on Prime Video.

Topics
Blair Marnell
Blair Marnell has been an entertainment journalist for over 15 years. His bylines have appeared in Wizard Magazine, Geek…
This unforgettable film might just be the best sci-fi movie ever made. Here’s why
Two men look fearful in Invasion of the Body Snatchers.

The most iconic image of Donald Sutherland’s career is a spoiler. To describe it would risk giving away more than the uninitiated might want to know about Invasion of the Body Snatchers, Philip Kaufman’s 1978 adaptation of the Jack Finney novel about extraterrestrial imposters out to replace humanity with emotionless doubles. But you know the image. You’ve almost certainly seen it used as a meme sometime over the last couple of decades -- or maybe the last couple of weeks, in response to the actor’s death in June. For those who have watched the movie, there’s always been some cognitive dissonance to seeing that shot transformed into internet joke currency. It is, after all, one of the most blood-curdling images in all of cinema: the look of hope shriveling away, of the future disappearing into a screaming black hole.

It’s a tad ironic that Sutherland might be best remembered for such a grotesquely outsized expression, such a monstrous moment. He was one of Hollywood’s most subtle performers, a New Hollywood legend who often underplayed what was going on inside his characters’ hearts and heads. But his work in Invasion of the Body Snatchers is richer than its final note. As Matthew Bennell, a San Francisco health inspector who slowly becomes aware of a hostile alien takeover in progress, Sutherland offers a vast range of feelings. Arrogance, good humor, fear, deep romantic longing, bottomless despair: Long before he’s literally running from the pod people, Sutherland runs the emotional gamut across this peerless sci-fi nightmare of a thriller.

Read more
25 years ago, The Matrix led a mini movement of sci-fi simulation thrillers
A man walks into a simulation in The Thirteenth Floor.

One way to grasp how fully our relationship to computers changed over the 1990s is to look at the cyberthrillers Hollywood made during that time. Mass surveillance, identity theft, the hacking of the soul — all the nascent technological anxieties of this new era were uploaded to movie screens like a virus. But there was no stopping what was coming, and over just 10 years, a world merely flirting with mass connectivity went irreversibly online. By the end of the decade (and, by extension, the century and millennium), the internet had become a major part of everyday life for many people. In turn, the word of warning evolved at the movies. Suddenly, computers weren’t just threatening your safety, your privacy, and your humanity. They were replacing life itself.

In the spring of 1999, the American multiplex was inundated with variations on that scary conclusion. First came The Matrix, a savvy sleeper blockbuster that used irresistible pop philosophy as the Krazy Glue of its spirited genre pastiche. Mere weeks later, eXistenZ, a weird Canadian thriller, dabbled in similar ideas, while bending them into the less mainstream shape of a drolly deranged espionage movie. And a few weeks later still, on Memorial Day weekend, we got The Thirteenth Floor, a twisty neo-noir about realities within realities that had the misfortune of opening in the wake of not just Matrix mania, but also the box-office event that was Star Wars: Episode 1—The Phantom Menace.

Read more
Does the sci-fi classic Alien have the best movie marketing campaign ever?
An alien egg cracks open with the tagline "In space no one can hear you scream" underneath in the Alien movie poster.

There’s a case to be made that the Xenomorph is the greatest movie monster ever conceived. It’s certainly among the most iconic. H.R. Giger, the Swiss artist who designed the title creature of Alien, took inspiration from Francis Bacon and Rolls-Royce, and emerged with a biomechanical killing machine that's instantly identifiable in silhouette. Cross a tapeworm with a shark, a cockroach, a dinosaur, and a motorcycle, and you’re close to describing the nightmare Giger and director Ridley Scott inflicted on unsuspecting moviegoers in 1979.

A monster so unforgettable sells itself. One look is all it would take to know that you had to see the cursed thing in action. And yet, there’s barely a glimpse of the alien in any of the original advertising for Alien. The beast is completely absent from the posters, and the trailer contains only a borderline-subliminal flash of its earliest larval stage, the face hugger. Unless you subscribed to a select few science fiction fan magazines — the ones boasting some enticing behind-the-scenes images, all part of a final “hard push” to get asses in seats — you were going into Alien blind, completely unprepared for the exact nature of the threat faced by its cast of unlucky galaxy-traversing characters.

Read more