Skip to main content

Game of Thrones’ writers wrote fake death scenes to torment the show’s cast

Before we start, a warning: Spoilers for Game of Thrones follow.

One of the things that made HBO’s Game of Thrones so exciting was its collection of grisly and unpredictable death scenes, during which any main character could seemingly die at any time (even if they didn’t always stay that way). From Ned Stark to Jon Snow to the Mother of Dragons herself, no one was safe.

Recommended Videos

The show’s writers knew it, too, and they used Game of Thrones‘ reputation for a high body count to play cruel pranks on its leading men and women. Occasionally, the writers would give actors fake scripts in which their characters died in fake, super-lame ways.

The news comes via the YouTube series Hot Ones, which recently had Game of Thrones star Maisie Williams on as a guest. As per Hot Ones tradition, Williams, who played Arya Stark on all eight seasons of HBO’s hit fantasy series, munched on a series of increasingly spicy hot wings while spilling many of Game of Thrones‘ secrets.

At one point, Williams told Hot Ones host Sean Evans that the Game of Thrones writers handed Alfie Allen, who played Theon Greyjoy, a scene in which he was killed by Isaac Isaac Hempstead Wright’s Bran Stark in “a really anticlimactic way.” The prank only came to light after Allen texted Hempstead Wright to talk about the scene, leaving the latter extremely confused.

In another instance, the Game of Thrones writers told Kit Harrington, aka Jon Snow, that he was going to be “aggressively mauled,” and would have to spend the rest of the series with “a huge disfigurement on his beautiful, chiseled jaw.”

Williams also confirmed a number of long-running rumors surrounding the show, including the fact that she taught herself to swordfight left-handed in order to stay true to George R. R. Martins’ books, and that she almost skipped her audition for Arya to visit a pig farm. “Just really wanted to go on that school trip,” Williams said, but admitted that it all worked out in the end. “You wouldn’t have wanted me on the show if I had gone to that pig farm,” she said.

Game of Thrones wrapped up its eight-season run with a highly controversial (although maybe not quite as controversial as you think) finale last spring, although HBO isn’t ready to say goodbye to the franchise quite yet. Two Game of Thrones prequel series are in development at HBO, with the possibility of more coming down the line.

Chris Gates
Former Digital Trends Contributor
<a href="https://kecsukorejo.kendalkab.go.id/asset/-/situs-slot-resmi/">situs slot resmi</a>
The Red Wedding at 10: How the groundbreaking episode changed Game of Thrones forever
Robb Stark's body with his direwolf's head in Game of Thrones.

The so-called Golden Age of Television reached its undeniable zenith during the 2010s. Shows like Mad Men, Veep, Breaking Bad, and Stranger Things took TV to new and exciting levels of visual and narrative quality. However, no show had more influence or acclaim throughout the 2010s than Game of Thrones. The HBO juggernaut became synonymous with prestige television, delivering a perfect mix of political intrigue, high fantasy, and sex that became irresistible for critics and audiences.

Game of Thrones wasn't an instant success; it was only in season 3 that the show became the must-see show on television. Two events helped the show achieve this elusive reputation. The first was Daenerys' sacking of Astapor in the fourth episode, And Now His Watch Has Ended. The second is, of course, the Red Wedding. The episode it was featured in, The Rains of Castamere, changed the series' course, altering the fate of multiple characters and radically shifting the power balance between the noble houses of Westeros. The groundbreaking episode showcased Game of Thrones operating at full strength, and, as a result, allowed audiences to truly understand what kind of show they were watching.
Game of Thrones sends its regards

Read more
Star Wars’ distant past has potential for Game of Thrones-like drama
A collage of characters in "Star Wars: The Old Republic" promo art.

While pondering yet another big IP Disney+ series can seem like an exhaustive thought considering its current breakneck output, Andor's critical success for both the streaming platform and the Star Wars franchise as a whole gives a taste of the potential that the Old Republic could provide to a TV series. That's in addition to the benefit of being heavily separated from the Skywalker Saga legacy.

No series needs to be darker and more serious to be inherently better, but the level of tension and drama found in Cassian Andor's gritty origin story should be a seamless fit somewhere within the literal thousands of years worth of history in Star Wars' distant past. In the Old Republic, there's no shortage of Jedi, Sith, intergalactic factions, political intrigue, and more that could give Disney+ and Lucasfilm a major and long-running Game of Thrones-level drama to keep audiences reeled in season in and season out.
The Old Republic provides an embarrassment of riches

Read more
How House of the Dragon saved Game of Thrones’ tarnished legacy
Alicent and Rhaenyra clutch each other in House of the Dragon.

May 19, 2019, is a date branded on the pop culture lexicon. The finale to Game of Thrones, the television phenomenon that single-handedly revitalized the fantasy genre and redefined what "event television" meant, aired to the collective disappointment of millions of fans. The show's decline in quality had begun in season 7, with some questionable choices happening as far back as season 5, but the train wreck that was season 8 was beyond words. Consistency went out the window in favor of spectacle, resulting in a rushed season that reduced the world's greatest TV show into a sad shadow of its former self.

The controversial finale put a seemingly permanent stain on Game of Thrones. In the years leading up to its conclusion, HBO expressed interest in creating a franchise based around George R. R. Martin's World of Ice and Fire. However, the episode's terrible reception put the network's plan in doubt, with many wondering if the Game of Thrones brand was in a healthy enough place to support a franchise. Things got worse when the first spinoff, starring Naomi Watts, got unceremoniously axed -- even after shooting a $30 million pilot -- spelling doom for the would-be franchise. Alas, not all was lost; GoT still had an ace up its sleeve, and it was called House Targaryen.
Mother of Dragons

Read more