Skip to main content

HBO and Game of Thrones should learn a lesson from Netflix and Stranger Things

I’ve got deeper problems with HBO than a single episode of Game of Thrones being too dark.

In fact, being an A/V reviewer for a major tech outlet, I — unlike many in the Twitterverse — actually had no problem enjoying last weekend’s episode of Game of Thrones without wondering what was happening on screen.

The sights and sounds associated with massive dragons, sword fights, and spit-roasted baddies came through the 4K BenQ projector and Vizio soundbar system I use for at-home testing with relative brightness and clarity, unlike so many forced to watch in well-lit rooms on older TV sets.

My problem is more chronic. I have been consistently disappointed with the quality of the content HBO delivers to my screen, regardless of what I’m watching it on. Here’s why:

No 4K, No HDR

Joel Chokkattu/Digital Trends / Digital Trends

At this very moment, I can buy a (totally decent, by the way) 4K TCL TV with built-in Roku for just $338. In fact, the ability to buy a solid 4K TV for a great price isn’t new; virtually no manufacturer even makes 1080p TVs anymore, period.

And yet, nothing that HBO streams via my $15 per-month HBO Now subscription will be in 4K. The max either of the company’s streaming services will deliver to a TV, projector, or computer screen is 1080p — one quarter the resolution any modern TV is capable of.

Then there’s the bitrate and compression algorithms being used to deliver that 1080p content to your screen. They’re bad.

As was evidenced during this week’s Game of Thrones extravaganza, dark pictures are often delivered with blocking or banding artifacts, which means that nobody streaming the latest episode of Game of Thrones — or any HBO show, for that matter — is seeing it the way that the show’s creators intended.

How do I know this? This morning I sat in our A/V testing room and watched the latest episode on a brand new, top-of-the-line LG C9 OLED, a TV with black levels and color so perfect that it might end up being our favorite of the year. Guess what? Those artifacts just showed up even clearer.

Art the way the artist intended

HBO

“I know it wasn’t too dark because I shot it,” responded Emmy-winning Game of Thrones cinematographer to questions about why the episode looked too dark on some viewers’ screens.

Taken out of context, he might sound a bit pompous, but he’s probably right.

It seems unlikely one of the world’s best cinematographers would spend 55 days freezing his ass off in Northern Ireland and not get exactly what he was going for. More likely, in using less-than-stellar compression and resolution (not to mention not offering cleaner highlights via high dynamic range, another thing HBO’s streaming services don’t support), HBO didn’t do justice to his work when delivering it to audiences around the world.

That’s a shame, because as with most art, much of the beauty in modern cinema and TV is subtle, and given that the Blu-ray release is likely far off, that means that we can’t experience the Battle of Winterfell the way it was truly meant to be experienced.

It’s also sad for HBO. In the end, HBO pays all this money to create a show that looks and sounds gorgeous, but then delivers it to our living rooms in what can only be called — at least in the contemporary streaming environment — middling quality.

The Netflix difference

Netflix

If anything, Netflix has the opposite problem.

Just yesterday, the streaming giant shared news that it had improved audio quality for those of us with surround-sound and Dolby Atmos systems at the request of two of its most valued creators, the Duffer brothers.

The brothers’ ultra-hyped series Stranger Things — which was available in 4K HDR from the start — featured a car chase during the first episode of its second season. When watching the chase back on a typical living room system, something the creators’ do for all of their episodes to make sure they look and sound as good as possible for average viewers, they noticed that the sound lacked the clarity they expected.

In response to their critique, Netflix put a team of engineers on the audio quality issue, who just launched a high-quality audio algorithm across the board. The company didn’t just fix Stranger Things, it fixed everything.

This morning, I sat and watched that same car chase scene on the same LG OLED (via our Anthem receiver and Pioneer Elite speakers) right before turning to Game of Thrones. Guess what? It looked and sounded significantly better than the HBO offering. Guess what else? My Netflix subscription costs just a dollar more per month than my HBO Now subscription.

Quality and quantity

Image used with permission by copyright holder

Delivering high-quality video and audio content to a massive number of users is no easy task, and there are likely significant infrastructure blockades that keep HBO from hitting the same picture and sound quality as Netflix or Amazon Prime Video (which also offers Dolby Atmos, 4K and Dolby Vision HDR).

Netflix has had significantly more time to scale its streaming infrastructure than HBO has, and Amazon … well, Amazon essentially hosts half the internet. Heck, it’s even looking at surrounding the globe with satellites for better connectivity.

It’s also worth noting that HBO isn’t the only streaming service that is behind on quality. Hulu doesn’t offer 4K picture either, for example,and it lacks surround-sound for the vast majority of titles. But then again, Hulu doesn’t have the most popular show on modern television.

AT&T just bought Time Warner (which includes HBO) for $85 billion, meaning that there’s probably some cash floating around to upgrade HBO’s streaming infrastructure. Let’s hope that happens.

In the end, I just want to watch a massive undead dragon emerge from the clouds without weird artifacts behind his head. Is that too much to ask?

Parker Hall
Former Digital Trends Contributor
Parker Hall is a writer and musician from Portland, OR. He is a graduate of the Oberlin Conservatory of Music in Oberlin…
HBO’s The Last of Us reinforces an important queer theme from the games
the last of us hbo show video game queer themes long time bill and frank

Spoilers for The Last of Us Part I, The Last of Us Part II, and The Last of Us HBO show.

The Last of Us video games put queer stories front and center in the narrative, and the HBO adaptation of the same name is following their lead with its focus on a gay relationship in its third episode, Long, Long Time, which aired recently. While the relationship between Bill and Frank was certainly present in the 2013 zombie action game, it was relegated to the background as Joel and Ellie navigate the beginnings of their complicated relationship. In the show, however, we're shown the couple's 20-year relationship as they grow from hesitant strangers to lifelong partners.

Read more
5 ways video game adaptations can learn from The Last of Us
video game adaptations can learn last of us the hbo pedro and nick

The first season of The Last of Us on HBO is going down as one of the best video game adaptations of all time, even if it's not perfect. Whether you believe the lousy reputation video game adaptations have is justified or not, these first few episodes of the series serve as the premier examples of how to adapt a game properly. As such, it's worthwhile to break down what other video game adaptations can learn from The Last of Us.
Halfway through the first season, five factors have played a significant part in The Last of Us' continued success on HBO. Thankfully, they are all elements other video game adaptations could learn from, even if they are based on an IP with a significantly different tone. If the quality of this show is any indication, video game adaptations have a bright future.
Be faithful

This one seems like it should go without saying, but it's something a lot of films and TV shows based on games don't get right. Even successful ones like the Sonic the Hedgehog films seem to feel a bit ashamed of the source material when they bring video game characters into the "real world." The Last of Us series works masterfully because it plays into the strengths of the source material, adapting an already critically acclaimed story accurately and respectfully. As a result, a great story is still great.
HBO's The Last of Us isn't a direct 1:1 adaptation (more on that later), but it's still unmistakably a TV version of the video game's story and even gameplay in some segments. That faithfulness shows respect for the game and is more likely to get fans on board with the creation and any potential deviations it might make. Sadly, many video game adaptations seem like they feel embarrassed of the source material, which shows in the quality of the final product and the fan reception to it.
Improve upon the source material

Read more
With Stranger Things and Squid Game, Netflix proves it’s better at making great TV shows than movies
Eleven, Will, Mike, and Jonathan standing and staring in a still from Stranger Things Season 4.

Netflix received a whopping 105 nominations at this year's Emmys, driven by hits like Squid Game, Stranger Things, and Ozark. While it's a decline from last year's 129, Netflix still secured the second-most nominations out of any network or streamer, with only HBO beating it thanks to juggernauts like Succession and The White Lotus.

Still, not everything is great for the so-called King of the Streamers. Whether it's canceling shows left and right or losing subscribers every quarter, the original streamer can't seem to catch a break, and not even its lush and over-the-top original movies can help. Netflix premiered the tiresome The Gray Man less than a month ago, and the film -- which reportedly sports a $200 million production tag -- has already left the pop culture vocabulary; not even the news that a sequel and a prequel are coming was enough to stimulate interest.

Read more