Skip to main content

James Cameron says to expect ‘bitchin’ Avatar sequels, all filmed in 48fps

An alien preps to fight in Avatar.
20th Century Studios
We still have a few years left before the long-awaited sequels to James Cameron’s Avatar begin hitting theaters, but that hasn’t stopped the filmmaker from hyping them up in his own, unique way.

Set to begin production in the very near future, the trilogy of sequels is expected to kick off in 2016, with subsequent films rolling out in 2017 and 2018. And according to Cameron, audiences can expect a truly “bitchin'” experience.

Recommended Videos

“I can tell you one thing about them,” Cameron told Empire. “They’re gonna be bitchin’. You will s–t yourself with your mouth wide open.”

While Cameron has never shied away from setting extravagant goals (or generating extravagant buzz) for his projects, he did offer up a few cold, hard details about the upcoming sequels to the highest-grossing film of all time. Rather than shooting the film in a high-speed 60 frames-per-second format, he’s decided to shoot in 48fps due to the new standard set by The Hobbit trilogy for that format.

“My thinking at the time was that 60 [FPS] might be a better segue to the video market,” he explained. “I’ll be plugging into a system that’s a little more mature, so it makes sense for me to do 48 frames at this point.”

Cameron added that the long delay in in getting cameras rolling for the three-film project is due to the process of treating the trilogy as a single, extended story with the writing team.

“I think we met for seven months and we whiteboarded out every scene in every film together,” he explained. “I didn’t assign each writer which film they were going to work on until the last day. I knew if I assigned them their scripts ahead of time, they’d tune out every time we were talking about the other movie.”

Topics
Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Avatar: The Way of Water’s ending explained
Two Na'vi characters stand in the water in a scene from Avatar: The Way of Water.

After a long 13-year wait, the sequel to James Cameron's Avatar has finally premiered in theaters, and it was worth the wait. Taking place more than a decade after the original film, Jake Sully continues to battle the RDA on Pandora as a member of the alien Na'vi. He and his mate, Neytir,i have started their family -- they have two sons, Neteyam and Lo'ak; a daughter, Tuk; an adoptive daughter, Kiri; and an adoptive human son, "Spider" (so yeah, they've been very busy parents).

While the many years of waiting may have seen audiences' enthusiasm for the sequel dwindle, this new film is sure to bring them all back to Pandora with groundbreaking visuals, more worldbuilding, and a heartfelt story that sets up an epic future for the franchise. There's so much packed into the film's whopping 192-minute runtime, and it only lays the foundation for a much bigger story by the time it all ends.
Return to Pandora

Read more
Avatar: The Way of Water trailer highlights Pandora in all its beauty
Two Na'vi characters stand in the water in a scene from Avatar: The Way of Water.

Ahead of the film's release date next month, 20th Century Studios released the official trailer for the highly anticipated Avatar: The Way of Water. The trailer features breathtaking visuals of Pandora, including stunning ocean footage, and teases an impending conflict for the Na'vi.

The sequel to 2009's Avatar is set more than 10 years after the events in the first film. Jake Sully (Sam Worthington) is now fully a member of the Na'vi, and with his partner, Neytiri (Zoe Saldaña), had four children together. However, trouble is on the horizon as outside forces attempt to destroy Pandora once again. It's a battle for survival as Jake tries to save his family and his new world from destruction.

Read more
James Cameron’s sci-fi epic Avatar returns to theaters, but has its magic faded?
Sam Worthington and Zoe Saldana fall in love on Pandora.

There were plenty of reasons to wonder, in the autumn of 2009, if James Cameron had finally flown too close to the sun, burning a big budget on a boondoggle. Nearly a dozen years after emerging from a troubled production with the biggest movie of all time, the disaster-weepie phenomenon Titanic, the blockbuster maestro had once more secured enormous investment in pursuit of a bank-busting special-effects spectacle to rule them all. Except this time, the movie in question looked, from a distance, like the height of overreaching silliness: A sci-fi fantasy about a species of lithe, ocean-blue, vaguely feline aliens, prancing through a tropical paradise. The first trailer prompted chortles. Cameron, however, would have the last laugh.

Avatar, like Titanic before it, did more than silence the skeptics. It vindicated all the grand, hubristic ambition of its creator, at least from a commercial standpoint. Somehow, Cameron had done it again, and unbelievably surpassed the box-office success of his last conquest of the record books. Avatar, a hodgepodge of science fiction tropes in a cutting-edge package, was the big-screen event that everyone had to attend. Globally speaking, it quickly became the biggest movie of all time — a title it lost a decade later to Avengers: Endgame, then won again thanks to a rerelease in Chinaduring the pandemic. Even adjusted for inflation, the movie sits toward the top of the all-time charts.

Read more