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A Complete Unknown review: a crowd-pleasing, safe music biopic
A Complete Unknown is a crowd-pleasing, if superficial, Bob Dylan biopic.
Landman review: Like Yellowstone, but with more oil and less promise
Taylor Sheridan's Landman has a lot of potential, but it's too unrefined to stand out. The oil drama's first two episodes are streaming now on Paramount+.
Dune: Prophecy review: a lifeless spin-off of a great sci-fi franchise
Dune: Prophecy is a lifeless spin-off that falls short of the cinematic majesty of its sister films. The series premieres Sunday, November 17 on HBO.
Red One review: a spectacular holiday misfire
Red One is the latest addition to The Rock's current, unfortunate streak of disappointing blockbusters. The Christmas-themed action movie is now playing.
Silo season 2 review: one of the best sci-fi shows on right now gets even better
Silo returns this week with a second season that is just as addictive and watchable as the Apple TV+ sci-fi drama's first.
Arcane season 2 review: an awe-inspiring, unwieldy finale
Netflix's Arcane returns this week bigger, bolder, and more ambitious than before. The first three episodes of Arcane season 2 are streaming now.
Heretic review: a must-see thriller with a killer lead performance
Heretic keeps your heart rate up and your eyes glued to the screen for all of its 111 minutes. The Hugh Grant-led thriller is now playing in theaters.
Juror #2 review: Clint Eastwood’s best movie in years. It’s a shame you probably can’t see it
Whether it's his last movie or not, Juror #2 is a perverse spin on 12 Angry Men that ranks among the strongest of director Clint Eastwood's late-career efforts.
Venom: The Last Dance review: a disappointing finale for Sony’s Spidey villain franchise
Venom: The Last Dance brings Tom Hardy and Sony's symbiote adventure to an unfortunately disappointing close. The comic book film is now playing in theaters.
Anora review: an exuberant, heart-wrenching adrenaline rush that’s an instant classic
Sean Baker's Anora is an instant 5-star classic. The film is now playing in theaters.
Smile 2 review: a messier, bolder horror sequel
Smile 2 is bigger, bolder, and considerably messier than the horror franchise's first film. It is now playing in theaters.
Saturday Night review: A Saturday Night Live origin story that plays it too safe
Jason Reitman assembles a giant, game ensemble for Saturday Night, a SNL origin story that's a little too reverent and tidy.
Tomb Raider: The Legend of Lara Croft review: a surprisingly good video game spinoff
Netflix's Tomb Raider: The Legend of Lara Croft is an entertaining, visually striking series that actually does right by its iconic protagonist.
The Franchise review: A sharp satire that skewers MCU and DC superhero movies
The Franchise is a smart, appropriately silly takedown of the Marvel-ification of Hollywood. The new series premieres Sunday, October 6 on HBO.
Joker: Folie à Deux review: an oddly timid musical sequel
In Joker: Folie à Deux, Joaquin Phoenix reprises the role of a misfit wallflower killer in a genre-bending sequel too cautious to really go for it.
Salem’s Lot review: a bloody, disappointing Stephen King adaptation
Salem's Lot will leave both horror and Stephen King fans alike yearning for a better adaptation. The new vampire film is streaming now exclusively on Max.
Apartment 7A review: This Rosemary’s Baby prequel falls flat
Apartment 7A is an unnecessary Rosemary's Baby prequel that fails to recapture the unsettling magic of its parent film. Both are streaming now on Paramount+.
Megalopolis review: Francis Ford Coppola’s flawed, insane sci-fi opus
From the director of The Godfather comes Megalopolis, a sci-fi epic 40 years in the making that trips on its own ambitions.
Wolfs review: This slight comedy caper is no Ocean’s Fourteen
George Clooney and Brad Pitt's Wolfs is better as a hang-out movie than a crime thriller. The film is now playing in select theaters and streaming on Apple TV+.
The Substance review: the grossest movie of 2024 is also one of its best
Demi Moore plays an aging actress who falls into a mutating nightmare in the superbly disgusting satire The Substance.
Transformers One review: a colorful, forgettable prequel
Transformers One is a beautifully animated but forgettable addition to an already one-note franchise.
The Penguin review: HBO’s Batman spinoff works surprisingly well
HBO's The Penguin is the rare franchise spinoff that manages to stand on its own.
Agatha All Along review: a witchy romp that’s Marvel’s best show in years
Agatha All Along is Marvel's best show in years. But does it live up to its own potential?
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