Skip to main content

Digital Trends may earn a commission when you buy through links on our site. Why trust us?

Steven Spielberg may direct biopic about legendary newsman Walter Cronkite

walter cronkite spielberg header
Walter Cronkite Image used with permission by copyright holder
In many ways, Steven Spielberg is to the movie world what Walter Cronkite was to the news world. That said, Deadline’s report that the former will soon direct a movie about the latter seems to make all the sense in the world.

Spielberg has reportedly teamed up with Bridge of Spies writer Matt Charman and producer Marc Platt for the project, which is still in its very early stages. The plot of the film will focus on the role Cronkite played in swaying public opinion during the Vietnam War, and will be more tightly focused than the broad, sweeping biopics we’re so used to seeing.

Recommended Videos

It’s important to remember that no one has signed on the dotted line just yet, but this idea seems to have Spielberg written all over it. We’ll have to hope the director can squeeze it into a busy schedule that already includes Indiana Jones 5, Ready Player One, and The Kidnapping of Edgardo Mortara. On top of his directing slate, Spielberg is always producing about a dozen projects at a time and he has at least that many on tap right now.

For the uninitiated, Walter Cronkite was an anchor for the CBS Evening News who was known as the “most trusted man in America.” His influence on public opinion was so pronounced that, when he began to have misgivings about the Vietnam War effort, President Lyndon B. Johnson reportedly said, “If I’ve lost Cronkite, I’ve lost Middle America.”

No word yet on who might star in the film or when it might be released, but stay tuned and we’ll keep you updated as news breaks.

In the meantime, you can catch the Spielberg-directed BFG on July 1. The Kidnapping of Edgardo Mortara and Ready Player One are due out in 2017 and 2018, respectively.

As for Cronkite, his final sign off is embedded above — “And that’s the way it is.”

Adam Poltrack
Former Digital Trends Contributor
Adam is an A/V News Writer for Digital Trends, and is responsible for bringing you the latest advances in A/V…
The 10 best war movies ever made
A World War II soldier looks out over a war-torn landscape in a scene from Dunkirk.

War is a genre as old as the movies themselves. Some offer visceral thrills, trying to immerse you in what it means to be in battle. Others take a different tack, and are more contemplative about their subject matter.

Whatever road they take, though, great war movies are always at least a little bit about how pointless war is. That self-reflexive gaze, which blends the valor of war with its violence and horror, is what makes these movies worthy of this list, whether they're thrilling, funny, horrific, or a little bit of all three.

Read more
Henry Thomas on E.T. turning 40, Steven Spielberg, and that notorious Atari video game
Elliot stares at E.T. in "E.T."

If you're a horror fan, chances are you've seen Henry Thomas a lot in the last few years. The veteran actor has starred in a multitude of projects by writer/director Mike Flanagan, including The Haunting of Hill House, Midnight Mass, The Haunting of Bly Manor, and most recently, The Midnight Club.

Yet the greater public still remembers him as young Elliot, the boy who befriended an alien and made Reese's Pieces a popular candy to consume. In celebration of E.T. the Extra-Terrestrial turning 40 years old this year, Thomas sat down with Digital Trends to talk about the film's lasting legacy, working with Steven Spielberg, giving one of the best auditions of all time, and whether or not he played the notoriously awful E.T. video game by Atari.

Read more
The Fabelmans review: an origin story of Steven Spielberg
Paul Dano and Michelle Williams watch The Greatest Show on Earth.

Steven Spielberg has spent his entire career channeling the heartache of his childhood into movies. He’s never really hesitated to admit as much, confessing publicly to the autobiographical elements woven through sensitive sensations like Close Encounters of the Third Kind, Catch Me If You Can, and especially his now 40-year-old E.T. The Extra-Terrestrial, an all-ages, all-time smash that welcomed the world into the melancholy of his broken home via the friendship between a sad, lonely kid and a new friend from the stars. By now, all of that baggage is inextricable from the mythology of Hollywood’s most beloved hitmaker: It’s conventional wisdom that Spielberg’s talent for replicating the awe and terror of childhood comes from the way that his own has continued to weigh, more than half a century later, on his heart and mind.

With his new coming-of-age drama The Fabelmans, Spielberg drops all but the barest pretense of artificial distance between his work and those experiences. Co-written with Tony Kushner, the great playwright who’s scripted some of the director’s recent forays into the American past (including last year’s luminous West Side Story), the film tells the very lightly fictionalized tale of an idealistic kid from a Jewish family, growing up in the American Southwest, falling in love with the cinema as his parents fall out of love with each other. Every scene of the film feels plucked from the nickelodeon of Spielberg’s memories. It’s the big-screen memoir as a twinkly-tragic spectacle of therapeutic exorcism.

Read more