Skip to main content

‘Thor: Ragnarok’ smashes records with huge weekend box office

thor: ragnarok
Image used with permission by copyright holder
Chalk up another big win for Marvel Studios, which kept its streak alive with the 17th straight film in its live-action cinematic universe to debut in the top spot at the weekend box office.

Thor: Ragnarok lived up to the early buzz it received with an impressive $121 million opening weekend in U.S. theaters, as well as some big numbers overseas, too. The third entry in the Thor solo series had the seventh-biggest premiere for any Marvel movie so far, topping the $117 million debut of Spider-Man: Homecoming earlier this year and coming in just under the $128.1 million opening weekend for Iron Man 2 in 2010.

Recommended Videos

As if that wasn’t enough cause for celebration, the film’s estimated $55.6 million premiere in China is the biggest ever for a November release in that country (the second largest market in the world).

Reviews of Ragnarok seemed to support the film’s hefty ticket sales, too. Director Taika Waititi’s first foray into mainstream blockbusters received an exceptionally positive “A” grade from audiences (as reported by CinemaScore) and while it didn’t finish the weekend as Marvel’s best-reviewed movie of all time, its 93-percent positive rating on review aggregator RottenTomatoes currently puts it in second place overall, just after the movie that launched the studio’s interconnected movie-verse, 2008’s Iron Man (which received 94-percent positive reviews).

At this point, Ragnarok clearly has a bright future ahead of it with great reviews from critics and audiences alike, and a fantastic start to its theatrical run.

# Title  Weekend    U.S. Total   Worldwide Total 
1. Thor: Ragnarok $121M $121M $427M
2. A Bad Moms Christmas $17M $21.5M $28.2M
3. Jigsaw $6.7M $28.8M $59.5M
4. Boo 2! A Madea Halloween $4.6M $42.9M $43.3M
5. Geostorm $3M $28.7M $182.3M
6. Happy Death Day $2.8M $52.9M $78.3M
7. Thank You For Your Service $2.2M $7.3M $7.3M
8. Blade Runner 2049 $2.2M $85.4M $239.9M
9. Only the Brave $1.9M $15.2M $16.4M
10. Let There Be Light $1.6M $4M $4M

Coming in second at the weekend box office was the raunchy comedy sequel A Bad Moms Christmas, which had a perfectly respectable $17 million premiere — respectable for a movie that cost just $28 million to make, that is. People who bought tickets to the film seemed to enjoy it, too, as the movie ended up with a “B” grade from audiences despite a fairly negative assessment from professional critics.

It will be interesting to see whether Bad Moms Christmas can use its Christmas theme to extend its run deep into the holiday season, which officially kicked off this weekend.

The rest of the weekend’s top ten films were all returning movies, with no noteworthy performances to speak of — unless you consider the continuing epic failure of disaster film Geostorm an exciting story. The film, which reportedly cost $120 million to make, has now made just $28.7 million domestically after three weekends. At this point, its $182.3 million in worldwide ticket sales is the only thing saving it from being one of Hollywood’s biggest flops.

This biggest film hitting theaters this week is Murder on the Orient Express, which features an all-star cast — including Johnny Depp, Michelle Pfeiffer, Kenneth Branagh, Penelope Cruz, Dame Judi Dench, Daisy Ridley, Josh Gad, and Willem Dafoe — and offers yet another adaptation of Agatha Christie’s iconic mystery novel. Also hitting theaters is the holiday comedy sequel Daddy’s Home 2 with Will Ferrell and Mark Wahlberg, as well as the critically acclaimed drama Three Billboards Outside Ebbing, Missouri, starring Francis McDormand.

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Watch Yellowstone season 5, episode 10: release date, time, channel, and plot
A cowboy stands and stares.

After an almost a two-year hiatus, the Dutton family finally returned to prime-time television with Yellowstone season 5, part 2. Even with the time off, Yellowstone remained a ratings juggernaut, as the premiere generated a whopping 16.4 million viewers across all cable networks and CBS airings. That's an increase of 3% from the season 5, part 1 premiere, which registered 15.9 million viewers.

The biggest question heading into the premiere was how series creator Taylor Sheridan would handle the departure of Kevin Costner as John Dutton. Sheridan wasted no time writing off the patriarch of the Dutton family. Even without John Dutton, his presence will still be felt this season, with the main storyline dealing with the aftermath of his tragic ending. Find out how to watch the next episode of Yellowstone below.

Read more
3 underrated shows on Hulu you need to watch in November 2024
Calista Flockhart as Ally McBeal.

Hulu rightfully gets a lot of attention for its stellar lineup of movies, but its TV shows are also very impressive. Although Fox no longer has a stake in Hulu, the entire fall lineup from that network and ABC are available to stream during the season. But this month's picks for the three underrated shows on Hulu that you need to watch are going a little deeper.

Our first choice is a show that was briefly one of Fox's signature originals in the late '90s, and it just made its Hulu debut this month. After that, we've got an unexpectedly fun music documentary series followed by a the dramatic story of a Mexican revolutionary.

Read more
The MCU is better when it goes back to basics
Kathryn Hahn prepares to cast a spell in Agatha All Along.

Agatha All Along just wrapped up a spectacular nine-episode run as strongly as it could have, easily cementing itself as the best series in the MCU (Loki's second season was far inferior to the first and just had a strong ending; fight me). The show, which saw Emmy nominee Kathryn Hahn reprising her role as the duplicitous and murderous witch Agatha Harkness, delivered a compelling, consistent, and engaging television project that not only offered a satisfying story, but also advanced the MCU, setting the stage for several new storylines and successfully expanding its corner of the ever-growing universe.

In many ways, Agatha feels like a Phase One project: small in scale, character-driven, and worried more about getting you enamored with the protagonist than with introducing the next multiversal story -- and that's why it worked. Indeed, the MCU used to shine the brightest when the superheroes were the real stars and not the universe they inhabited. Yet, somewhere along the way, the franchise lost itself in the mess of an ever-growing connected universe, and the only way to dig itself out of the hole it put itself in is to go back to basics.
Remember who the real stars are

Read more