M. Shadows of Avenged Sevenfold tells us how to know when certain songs are the right ones to cover, and the key differences between being an opening act and a headliner.
Slowdive pioneered the sound of turning up the distortion, blaring the feedback, and distorting vocals beyond recognition, and bands like Beach House have taken this post-rock vibe to the next level.
Rather than get themselves worked up into a hot, dense state of indecision, the four main men of Barenaked Ladies decided to once again work with producer Gavin Brown on their new LP, Fake Nudes.
Sir Bob Cornelius Rifo of The Bloody Beetroots is the ripped masked DJ who lays down some of the sickest beats around while also performing a punishing, physically demanding live set.
Cut Chemist resides among today’s top turntablists, who have forged their own identities via the sound and vibe from the records they spin, mix, sample, and create.
Lee Ranaldo and Sonic Youth took open guitar tunings and off-kilter rhythms and timbres to their absolute limits like no other experimental no-wave alt-rock bands had ever done before.
Gord Downie leaves behind a recorded legacy with The Tragically Hip that is based in the grit and groove of the finest rock has to offer, along with his beyond-vivid songwriting.
An EDM-tinged aura that expands on his film and TV compositional work permeates all throughout Dhani Harrison’s first full-fledged solo album, IN///PARALLEL.
The late Tom Petty discussed the sound he was going after in the studio, what makes for a good engineer, and what his vision of The Heartbreakers’ future was.
Deer Tick is stronger than ever, as evidenced in their two new albums. Acoustic songwriting dominates Vol. 1 and punk-like abandon thunders forth on Vol. 2.
Guitarist/vocalist Corin Tucker discusses how her new band Filthy Friends keeps their songs feeling current in today’s ever-changing socio-political climate, the current status of Sleater-Kinney, and how to challenge yourself as an artist whenever you play live.