Skip to main content

New sensor, 4K at 60 fps make Fujifilm’s X-T3 a drool-worthy camera

With a new sensor, processor, autofocus system, and electronic viewfinder, the Fujifilm’s latest camera is anything but a minor update. On September 6, Fujifilm debuted the X-T3, a mirrorless camera that improves on multiple aspects of the already well-received X-T2 — and boasts a new world’s first in the process. Thanks to the quad-core X Processor 4, the X-T3 is the first APS-C camera capable of recording  4K video at 60 frames per second straight to SD card.

Recommended Videos

At the heart of the update is what Fujifilm is calling its best APS-C sensor yet, the 26.1-megapixel, backside illuminated (BSI) X-Trans CMOS 4 with a new low base ISO of 160. Like earlier X-Trans sensors, it uses a complex color filter to control moiré, removing the need for an optical low-pass filter which, in turn, improves sharpness. Unlike earlier sensors, though, this one adds phase detection pixels across the entire surface in a way that Fujifilm says improves resolution without adding any noise.

Please enable Javascript to view this content

The 2.16 million pixels that are part of the phase detection autofocus system are faster and more accurate, according to the company. Fujifilm claims the new autofocus system is capable of focusing down to -3 EV in low-light conditions, where the X-T2 was limited to -1EV. The new autofocus also means a 1.5-times speed improvement over the X-T2 for both autofocus and autoexposure metering. Fujifilm says face and eye detection have improved, with Eye AF now available in continuous autofocus and both options now included in video.

The X-Processor 4 is three times faster than any other processor currently in Fujifilm’s lineup. In addition to 4k/60 video, that extra speed powers the new Color Chrome Effect. The new mode helps create more accurate color gradation in vivid colors, an option that was introduced in the medium-format Fujifilm GFX 50S. In video, the X-T3 also has four times the data rate of the X-T2 and twice the data rate of the X-H1, at up to 400 megabits per second for 4K. Additional video features include the H.264/MPEG-4 AVC and H.265/HEVC formats, increased read speed to reduce rolling shutter distortion, and a new 4K inter-frame noise reduction algorithm.

Action photographers will appreciate that the X-T3 can shoot 11 fps even without the Vertical Power Booster grip that was required to achieve that speed on the X-T2. The buffer can hold 142 shots in JPEG mode, or 42 in RAW — that’s not flagship DSLR territory, but when paired with a high-speed SD card, it should be sufficient for the majority of users. What’s more, when using the electronic shutter, the X-T3 can shoot at 30 fps or use a pre-shot mode that starts snapping frames as soon as you half-press the shutter button to initiate focus.

Naturally, Fujifilm’s film simulation modes return, including the new Eterna option first seen in the X-H1 which is based on the now discontinued motion picture film. Bluetooth connectivity and Wi-Fi also come standard.

On the outside, the X-T3 carries much of the same style from previous generations with a few small changes. However, there is one big update: The electronic viewfinder can shoot with no blackout during burst shooting. The diopter can also lock to prevent accidentally changing it, and the top dials and back buttons are a bit larger.

The X-T3 will also launch with a new optional battery grip that uses two extra batteries to extend battery life from 390 to 1,100 exposures. An additional metal hand grip will also be available, designed for using the camera with heavier, large-aperture lenses.

The X-T3 body is bundled with an EF-X8 hot shoe flash and is set to launch on September 20 for about $1,500, or about $1,900 with the XF18-55mm kit lens. Notably, this is $100 less than the X-T2’s original body-only launch price of $1,600. The camera will be available in both black and silver.

Hillary K. Grigonis
Hillary never planned on becoming a photographer—and then she was handed a camera at her first writing job and she's been…
The best cameras for street photography
Ricoh GR III

As the saying goes, "the camera is just a tool." But just like a jackhammer isn't the right type of hammer to hang a picture on the wall, you need to the right camera for the genre of photography you're shooting. In street photography, a large bulky system isn't going to serve you well. A compact, lightweight camera is not only easier to walk around with, it also draws less attention to yourself.

We picked the Fujifilm X-Pro3 for its combination of great image quality, relatively compact size, and excellent selection of  lenses tailor-made for street photography. But if you want something even stealthier -- or just less expensive -- you'll find other great options here, as well.
The Best
Fujifilm X-Pro3

Read more
See how Fujifilm’s popular X100 camera has changed over the years
fujifilm x100v announced with new lens 4k video lifestyle 1

Ever since the original model appeared in 2011, Fujifilm’s X100 camera has become hugely popular with street photographers around the world.

Its superb lens, compact size, solid build, and -- importantly for street shooters -- near-silent leaf shutter, make it a top choice for photographers keen to capture scenes of everyday life. The Japanese camera maker recently launched the X100V, marking the fifth update in nine years. Digital Trends recently compared the latest model with its predecessor, the X100F, to see if it’s worth upgrading.

Read more
Fujifilm X-T4 vs. Sony A6600: Top APS-C mirrorless cameras compared
Fujifilm X-T4

That Fujifilm and Sony are now direct competitors for flagship APS-C mirrorless cameras is a bit strange.

A few years ago, you picked Sony if you liked high-tech gadgets with fast performance, and Fujifilm if you were a more traditional photographer who preferred a slower, methodical approach to image making but still wanted high-quality results. The companies targeted different customers, and their products were fine living in their respective bubbles.

Read more