Skip to main content

Sony NEX Cameras: Small, Light, and Interchangeable Lenses

Not many people would dispute that DSLR cameras offer quite a lot more image controls and options than even top-flight point-and-shoot digital cameras, and the ability to swap out lenses for specialized, high-quality optics is often what sets the pros apart from merely aspiring photographers. However, few would dispute that DSLR’s are bulky, sporting enormous camera bodies and considerably bulk. Now Sony is trying its hand at eliminating the bulk factor while still offering the power of interchangeable lens cameras with its new Alpha NEX-3 and Alph NEX-5 digital cameras—which the company is touting as the smallest and lightest interchangeable lens cameras in the world.

Image used with permission by copyright holder

“These new cameras are the game-changers everyone has been waiting for and will revolutionize the consumer experience by offering outstanding picture quality with a totally pocketable size,” said Kristen Elder, director of Sony’s Alpha digital imagine business.

Recommended Videos

The Alpha NEX cameras feature a mirrorless design, but aren’t based on the Micro Four-Thirds standard that companies like Olympus and Panasonic have used to bring interchangeable lenses to smaller devices: instead, Sony is packing an extra-large sensor in the NEX series, improving image quality with Exmor APS HD CMOS sensors that are about 60 percent larger than the sensors in Micro Four-Thirds cameras. The cameras use E-mount lenses, and will ship with Sony’s SEL16F28, a 16mm ƒ2.8 wide angle prime lens.

Image used with permission by copyright holder

The NEX series are also the first interchangeable lens cameras to be able to continuously adjust focus while recording video—the NEX-3 captures 720p video, while the NEX-5 goes all the way up to 1080p. The cameras also feature a Sweep Panorama feature, enabling users to just press the shutter and sweep the camera over a scene or group shot to capture a panorama: the feature can handle 226° horizontal swipes and 115° vertical swipes, no tripod required. Sony says a firmware update will bring 3D Sweep Panorama to both cameras in July.

Sony is still being shy on specs for the cameras: both will apparently sport a 14.2 megapixel sensor, HDMI output, an articulated 3-inch display, and will be able to store video and images to Memory Stick and SDXC media. The main highlighted difference between the cameras so far is the NEX being able to shoot 1080p video.

The Alpha NEX-3 and NEX 5 should ship in June; Sony is accepting pre-orders now via its Web site. Several accessories will also be available, including alternative E-mount lenses, clip-on flashes, and an accessory shoe. The NEX-3 will retail for about $450 with the SEL15F28 lens; the NEX-5 will start at about $650; other kits will be available with different lenses. The NEX-3 will come in silver, black, and red, while the NEX-5 will only be in silver and black.

Image used with permission by copyright holder
Topics
Geoff Duncan
Former Digital Trends Contributor
Geoff Duncan writes, programs, edits, plays music, and delights in making software misbehave. He's probably the only member…
Sony’s A7S III is the ultimate 4K video camera, five years in the making
what is sony a7siii everything you need to know a7s iii announced the iiii 10

After years of speculation with nary a peep out of Sony with regards to the much-loved A7S line (the A7S II launched five years ago), there's finally a new camera. Sony has loaded this latest iteration with some of the most impressive video-focused capabilities we’ve seen in a compact camera body. With a strong emphasis on 4K, Sony is positioning the $3,500 A7S III not just as a low-light powerhouse, but as the most capable video camera in its segment.

“The A7S II is purpose-built to make wonderful video and low light photography,” Mark Weir, the Senior Technology Manager for Sony Digital Imaging, told Digital Trends. “It shows how Sony has taken feedback from end-users to update and improve user experience overall.”

Read more
AP photographers to receive Sony cameras and lenses in exclusive partnership
sony 12 24mm f28 g master first lens of its kind fe on a7iii

Images from the Associated Press will soon be almost exclusively shot with Sony gear. In a collaboration announced today, the AP says that its journalists located in 100 different countries will all be outfitted with Sony cameras, lenses, and accessories. A Sony representative told Digital Trends that each full-time photographer and videographer will be outfitted with two Sony bodies and four to five lenses and accessories.

Prior to the agreement, AP photographers shot with a mix of different gear and brands. With the new agreement, full-time staffers will exclusively use Sony gear for both photos and video. The agreement does not affect freelance content creators, who may continue to use their own gear.

Read more
Canon’s affordable new full-frame mirrorless lenses are exactly what it needed
canon affordable rf full frame lenses exactly what it needed 85mm f2 macro featured

Canon's new RF lenses bring a desperately needed feature to its mirrorless EOS R system: Affordability. The four lenses announced on Thursday, July 9, are the RF 85mm f/2 Macro, RF 100-500mm f/4.5-7.1, and two unique telephoto primes with fixed f/11 apertures, a 600mm and an 800mm.

Of these, the $600 85mm f/2 is probably the least interesting, but also the most important. This is just Canon's second sub-$1,000 RF prime lens, joining the 35mm f/1.8, and precisely the type of lens that I have argued full-frame mirrorless systems need. Compared to Canon's unwieldy, $2,700 RF 85mm f/1.2, it is small, lightweight, and -- most importantly -- attainable.

Read more